Skip to content

Love and Information

Poster Design: Sydney Dye

Love and Information was written by prolific and inventive English playwright Caryl Churchill and was first produced in 2012. After fourteen years, it still feels timely and, at moments, even prescient. The play’s structure, a series of short and often emotional scenes, affords an experience not unlike that of scrolling through postings on a social media platform. The characters’ search for love and/or information is complicated by their histories, memories, conditions, and insecurities. And the impact that modern technology has on their quests, for better and for worse, is ever present. In short, an ocean and more than a decade may separate us from these characters, but I trust that you’ll recognize many of their circumstances and desires.

Allow me to share a few thoughts expressed by Yuval Noah Harari in his 2024 book, Nexus: A Brief History of Information Networks from the Stone Age to AI:

“…Information sometimes represents reality, and sometimes doesn’t. But it always connects. That is its fundamental characteristic.”

“Among humans, the precondition for cooperation isn’t similarity; it is the ability to exchange information. As long as we are able to converse, we might find some shared story that can bring us closer. This, after all, is what made Homo sapiens the dominant species on the planet.”

“Nobody disputes that humans today have a lot more information and power than in the Stone Age, but it is far from certain that we understand ourselves and our role in the universe much better. Why are we so good at accumulating more information and power, but far less successful at acquiring wisdom?”

And, on a perhaps more hopeful note, from the lyrics of the song “Nature Boy” – recorded by Nat King Cole in the early ‘60s:

“The greatest thing you’ll ever learn
Is just to love and be loved in return”

President Connie Book, Provost Rebecca Kohn, Dean Hilton Kelly, Performing Arts Chair Fred Rubeck

Cast

EnsembleMia Basulto
EnsembleGraham Boggess
EnsembleParker Bowen
EnsembleAva Foley
EnsembleKeller Gilliland
EnsembleJackie Harris
EnsembleOwen Harsch
EnsembleTinkie Jones
EnsembleAlan Kornbluth
EnsembleMichael Mintz
EnsembleCaroline Moore
EnsembleAilish O’Brien
EnsembleGennie Philpott
EnsembleMakenzie Pridgen
EnsembleAnabelle Sumera-Decoret
EnsembleJeffery Wilson
Ensemble u/sMikyra Elston
Ensemble u/sDylan Morse
Ensemble u/sPhilip Podhurst

Production Team

DirectorKirby Wahl
Assistant DirectorJuliette-Elise Hill
DramaturgMarissa Bishop
Dialect CoachKirby Wahl
Scenic DesignerJessica Hightower
Projection DesignJessica Hightower
Costume DesignerKayla Higbee
Associate Costume DesignersMallory Caballero
Sadie Gompf
Olivia Novak
Lighting DesignerFern Middleton
Lighting Design Asst.Gracie Guess
Sound DesignerMichael Smith
Stage ManagerDenny Busi
Asst. Stage ManagerAllie Bensimhon
Transition ChoreographersBrooke Goldstein & Sophie Seitchik
Production ManagerSuzanne D. Lucas
Technical DirectorAnthony Cacchione
Asst. Technical DirectorLuis Silva
Props DirectorJessica Hightower
Deck CrewTreasure Capers
Sloane Johnson
Reagan Nasky
Addy Reese
Samantha Probst
Sierra Safran
Costume Shop ManagerHeidi Jo Schiemer
Wardrobe CrewAddison Gully
Grace Santo
ElectriciansJessica Klein
David Sebren
Light Board OpGeorge Eastman
Sound Board OpJack Shaffer
House ManagersLillian Chen
Izzy Carl
Madelyn Neal
Lachlan Apple
Laird Stearns
Poster DesignSydney Dye

Bios