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Merrily We Roll Along

Any video and/or audio recording of this production is strictly prohibited.

Director Notes

Welcome. You’ve stepped into a space designed for intimacy, for confrontation, for the unadorned truth. That’s the power of the black box – there’s nowhere to hide, not for the characters and not for the audience. Perhaps no musical requires such raw honesty quite like Stephen Sondheim and George Furth’s Merrily We Roll Along. This show is famously, brilliantly, heartbreakingly told in reverse. We meet Franklin, Charley, and Mary at their most fractured – successful by society’s standards, perhaps, but spiritually bankrupt, their friendships and ideals seemingly shattered beyond repair. From that wreckage, we travel backward. Back through the compromises, the betrayals, the successes that felt like failures, and the subtle moments where their course in life shifted. Year by year, layer by layer, our journey back leads us to a rooftop where our “Old Friends” are filled with youth, talent, and a powerful belief in each other convinced “Our Time” is arriving. For us, knowing their full story, watching this moment brings a unique and poignant heartache.

Seeing the hopeful start after witnessing the bitter end forces us to ask the questions. How did you get to be here? What was the moment? Staging Merrily in this stripped-down environment magnifies these questions. Without the lavish sets sometimes associated with musicals, we are forced to focus on the essential intricate tapestry of Sondheim’s score, the sharp wit and vulnerability of Furth’s book, and, most importantly, the complex, evolving, and devolving relationships between these three souls. You’ll feel the sting of Charley’s disillusionment, the weight of Mary’s unrequited feelings, the seductive, destructive charm of Frank’s ambition. Merrily We Roll Along is a cautionary tale, yes, but I believe there’s still a stubborn glimmer of hope in the story. 

By journeying back to the beginning, by seeing the purity of that initial dream, we’re reminded of the potential that resides in all of us – the potential for connection, for creation, for loyalty. Perhaps understanding how things unravel can teach us how to hold them together.

Thank you to this incredible cast, crew, and creative team who have poured their hearts into excavating the layers of this challenging, beautiful piece. Thank you, Stephen Sondheim and George Furth, for giving us this puzzle box of a musical.

And thank you for joining us. Lean in. Listen closely. Let the journey backward illuminate something about the way forward.

Enjoy the show.

Jacob Brent 

Special Thanks

President Connie Book, Provost Rebecca Kohn, Dean Hilton Kelly, Babs Bayliff, Derek Tucker, Brian Kremer, Alexandra Warren, Jim Walton

Cast

Frank ShepardGabriel Bommarito
Mary FlynnMia McManamy
Charley KringasJonah Uffelman
Gussie CarnegieLauren Trethaway
Beth SpencerAddy Reese
Joe JosephsonKai Gaeta
Evelyn, Ensemble, u/s Mrs. Spencer/ScottyCarrington Black
Meg, Ensemble, Dance Captain, u/s BethElla Davison
Tyler, Ensemble, u/s CharleyAndrew France
Dory, Newswoman, Ensemble, u/s MaryAnya Jones
KT, Ensemble, u/s GussieTinkie Jones
Terry, Mr. Spencer, Ensemble, u/s JoeAlex McLemore
Scotty, Mrs. Spencer, EnsembleHelena Padial
Newsman, Ensemble, u/s FrankCampy Rodriguez
Jerome, Lawyer, EnsembleElliot Sullivan
Ru, Photographer, Minister, EnsembleGeorge Zemla
Frank Jr.Bays Bruton
Frank Jr.Hampton Bruton
Swing (Meg, KT, Ensemble)Michayla Catron
Swing (Evelyn, Dory, Ensemble)Madelynn Forcier
Swing (Jerome, Terry, Ensemble)Trevor Hudson
Swing (Tyler, Ru, Photographer, Minister, Newsman)Laird Stearns

Creative Team

DirectorJacob Brent
Assistant DirectorEmily Moxon
ChoreographerEric Pettit
Music DirectorChris Rayis
Assistant Music DirectorCharles “Charlie” Castro
Intimacy ChoreographerKim Shively
Scenic & Props Coordinator; Projection DesignerEliza Gregory
Scenic & Props AdvisorJustin A. Miller
Costume DesignerJacob Brent
Audio Supervisor & EngineerCasey Spielman
Sound AdvisorMichael Smith
Lighting DesignerHailey Avari
Assistant Lighting DesignerEddie Fermanian
Lighting AdvisorR. Mitchell Fore
Stage ManagerLindsey Chambers
Assistant Stage ManagerJulia Sgoupis

Production Team

Production ManagerSuzanne Lucas
Technical DirectorLuis Silva
Asst. Technical DirectorAnthony Cacchione
Costume Shop ManagerHeidi Jo Schiemer
Assistant Costume Shop ManagerBrianna Boucher
Light Board OperatorKyle Brady
Sound Board OperatorKeller Gilliland
Deck CrewKate Ragan
Jordyn Sutton
Wardrobe CrewAubrey Kocsis
Victoria Martinez
House ManagersLillian Chen
Ella Huestis
Emily Moxon
Poster DesignSydney Dye

Musical Numbers

ACT ONE

Prologue

Overture…Orchestra

Merrily We Roll Along…Company

Bel Air, 1976

That Frank…Frank, Company

NBC Studios, 1973

Like It Was…Mary, Charley

Franklin Shepard, Inc…Charley

Central Park West, 1968

Old Friends…Frank, Mary, Charley

Growing Up…Frank, Gussie

Manhattan Courthouse, 1967

Not A Day Goes By…Beth

Now You Know…Mary, Charley, Frank, Company

ACT TWO

Alvin Theatre, NYC, 1964

Entr’acte…Orchestra

Opening Number…Gussie, Company

It’s A Hit…Joe, Frank, Charley, Mary, Beth

Gussie & Joe’s Brownstone, 1962

The Blob (Part One)…Gussie, Company

Growing Up (Reprise)…Gussie

Good Thing Going…Charley, Frank

The Blob (Part Two)…Company

Downtown Club, NYC, 1960

Bobbie and Jackie and Jack…Frank, Charley, Beth

Not A Day Goes By (Reprise)…Frank, Beth, Mary

New York City, 1957-1959

Opening Doors…Frank, Charley, Mary, Beth, Joe

NYC Rooftop, 1957

Our Time…Frank, Charley, Mary, Company

Orchestra

Conductor: Charles “Charlie” Castro

Keys 1: Chris Rayis

Keys 2: JT Loveless

Bass: Niyah Borgman

Drums: Van Prigozen

Bios